Ray Istre / Gradel Sessions

by Ray Istre

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1.
Remeniscience by Ray Istre, copyright, 1990. Publishing pending ASCAP. ~email ray@rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com E It never snows in Louisiana but maybe once or twice the only snow we know in Louisiana comes in the autumn skies.   Chorus A B E A B E When the geese fly in the autumn skies A B Db F# B A G F# in their snow camoflauge from Canada. I’ve seen them land and fill a rice field till it was snowy white. I think of early Acadiana and of another flight.   Chorus   Although I don’t know much about the snow, I sometimes think of the cold my people faced in early Acadiana though it was long ago.
2.
Coon Huntin' 03:12
Coon Hunting The sun’s gone down it’s the dark of the night and we’re just about ready to run. My batteries are good and my light bulb works get my boots on and pick up my gun. Let them dogs run Coon hunting sure is fun. We’re gonna get us one. Jack and Jill went up the hill and we’re right behind where ever they go. Old Jack gave out a yell and those red eyes glowed as my light hit that coon in the nose. Let them dogs run Coon hunting sure is fun. We’re gonna get us one. The chase is on and Jacks right behind that old coon trying to keep himself free. Then Jack jumps his back and they’re biting and fighting then that coon escapes up a tree. He’s out on a limb, then he falls in the water and Jack and Jill jump in right behind. That coon skin will be stretched out drying like it aughtta when that big bandits’ gonna be mine. Let them dogs run. Coon hunting sure is fun. We’re gonna get us one.
3.
Ballad of O. L. Racca copyright, Ray Istre, 1990, Publishing Pending ASCAP What you gonna do today for your pay O. L. Racca What you gonna do today, what you gonna say when the bill collector says pay Well I could sell this here labrador retriever or my old perogue Just as soon build me another one they ain't gonna get me that's for sure Chorus Cause I can do this and I can do that go down on the bayou trap muskrat take good care of what is mine sign my X on the dotted line on the dotted line. What you gonna do today to get what you need O. L. Racca What you gonna do today, to get what you need. with all them hungry mouths to feed Well I'll go down and check my trout line for some catfish we could have ourselves a feast Take my shot gun do a little huntin come back home with a whole mess of geese Chorus x 2 I can do this and I can do that go down on the bayou trap muskrat take good care of what is mine sign my X on the dotted line.
4.
Gonna Hold On To You You bet I’am gonna hold on to you never gonna let you go, no Like a glue I’am gonna stick to you I’ve got a lotta love to show and you know the king of love I mean beats anything you’ve seen hear the word of love I say I am yours in every way. And if you let my love in your heart happiness will have a running start holding to our love we’ll never every part.
5.
How It Use To Rain by Ray Istre, copyright, 1988. Publishing pending ASCAP ~ email ray@rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com I remember how it use to rain way down south in Louisiana down in southwest Louisiana I remember how it use to rain I was just a young boy then fillin’ cups of water on the porch hangin’ out with a brother and a friend fillin’ cups of water on the porch. Chorus And the rain kept pourin’ down If there’s one thing to say about the rain down in southwest Louisiana sho’nuff worth all the pain singin’ the blues in Louisiana.
6.
Where Ever There's a Radio by Ray Istre, copyright, 1988. Publishing pending ASCAP ~ www.rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com D G D I've got to tell the truth about where my songs come from G A7 It's my raisin' since my youth, some really can't be sung G A7 G A7 am I just a cold observer, ryming what I see D Bbm G A7 D or is that song especially something that's a part of me? Some songs I write on pieces of my heart after it's been torn and ripped all apart they're written to be sung on a multitude of hearts that winds up a hit on the country music charts So where ever there's a radio to hear this heart break song thread your needles ladies, it shouldn't take too awful long to sew this little piece of my shattered heart and mend it back together on the country music charts Chorus Bbm G She just got up and walked out the door Bbm G screaming she can't take it anymore A7 D Bbm G the bills are long past due, it's a shame A7 G A7 would you mind singing this refrain? Chorus
7.
Self-Righteous Blues by Ray Istre, copyright, 1985, Publishing Pending ASCAP ~ email ray@rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com G C G I never drank and I never chew G C D and I don't hang around with people that do G C G when I get to heaven I'll sing hallalu D G just cause I never drank and I never chew Son don't you drink, son don't you chew Son don't you hang around with people that do When you get to heaven, you'll sing hallalu just cause you never drank and you never chew Well, I always wanted to drink and to chew and I wanted to hang around with people that do but my brother, he told me, I'd sing hallalu just cause I never drank and I never chew. (Tag) D C G D C G Boo hoo hoooooo, Boo hoo hohooooo, D C D G Lord have mercy, I got the self-righteous blues.
8.
I Need You 03:39
I Need You by Ray Istre, copyright, 1989. Publishing pending ASCAP ~ email ray@rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com D When I look into your eyes A7 and there are no allibies C the word from the wise D is I need you. D Taken by surprise A7 I leave behind the lies C and surely realize D A7 D A7 C D I need you, I need you, I need you D There's nowhere I can hide A7 this emptiness inside C it's goodbye to my pride D I need you D No time to question why A7 though my mind will surely try C I better let it die I need you. D A7 D A7 C D I need you. I need you
9.
You've Got To Pay by Ray Istre, copyright, 1990. Publishing pending ASCAP. ~email ray@rayistre.com ~ www.rayistre.com ~ www.louisianalyric.com Chorus E D E You've got to pay for all you've done E D E rest assured with the evening sun E D and when the moon is high and you're wondering why A D you get to feeling like you're gonna die E D You got to pay for all you've done. D E Take it from me D E I aught to know D E there's no escape A D You reap what you sow Throughout all time Many have tried to break the law Each of them died

about

I was born and raised in Crowley Louisiana on Elm Street. Music was always a part of my life because I had older brothers who played guitar. Walking three doors down the street was within earshot of Wayne Toups practicing his accordian as a boy.

One of my brothers bought a stack of albums about two feet high and a great sound system while in the army. When he came back, he wanted to travel and left the music and record player with two AR 15 speakers with a Marantz amplifier. My Dad came in one day and asked if I were going to listen to music all day. I sheepishly said, "Yes". Listening to the music on such a great sound system gave me an appreciation of fine quality tone.

I graduated from Crowley High School in 1975 and hung around town for a few years. I moved to Russellville Arkansas and lived there for 4 years before moving to Waco, Texas. I lived there for about 10 years and had the art studio at 414 Franklin, next door to Buzze Music. That is where I had opportunity to write song, do art and dream. I moved to Whitney Texas near a gorgeous lake and continued to do art and write. At this time, I played the nationally syndicated Texas Music Cafe, twice. Chris Ermoian headed up the TV show and liked my songwriting so I put a band together for each of the performances.

These recordings were done at Gradel Recording Studio in Waco, Texas. I had the pleasure of working with Kenny Gradel, who has a great ear for tone and loves to record music. Dick Gimble was the major element in instrumentation, playing bass, mandolin, electric and acoustic guitar, banjo and fiddle. He is the son of famed Texas fiddle player, Johnny Gimble. Dick certainly is his fathers son and backs his Dad on bass, where ever he plays.

The recording studio was located in the same building as my art studio. It was the old chamber of commerce in Waco and the downtown area was rather abandoned at the time, much like many mid size cities that had the growth of malls in the suburbs, leaving the downtown area with little activity. The rent was cheap and other artists joined me there to do creative work.

These songs are a part of that time. I continue to write songs and stories as well as do art. You might wonder why I call the album, "Louisiana Lyric". It's because I thought of Louisiana even while living in Texas and wrote many songs about my raising here. That experience will always be a part of my life. I hope you enjoy these songs as much as I did writing and recording them.

Ray Istre

credits

released August 11, 2014

Ray Istre, Acoustic Guitar, Vocals.
Dick Gimble, Bass, Electric and Acoustic Guitar, Fiddle, Mandolin, banjo.
Kenny Gradel, drums.
Mark Blanpeid, Harmonica.
Brad Whittington, Harmonies.
Allison Johnson, Harmonies.

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about

Ray Istre Waco, Texas

Twice featured Singer/Songwriter on Texas Music Cafe (on 45 + PBS TV stations).

Painted mural featuring Ted Nugent commissioned by his friend Calvin Ross.

First poster for the Dixie Chicks commissioned by Laura Lynch.

Louisiana "Faces" a series of character studies as a stream of consciousness out of pure imagination.

Currently working on e-books, songs, and art.

See art at www.rayistre.com
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